 |
 |
|
MATERIALI SONORI
|
 |
 |
MANDE' FOLI'
Griot - Rhythms and Songs
MATERIALI SONORI.
cd ,
€ 2
|
BERIO Luciano - performed by Mario ANCILLOTTI flute . Paolo POLLASTRI oboe . Giovanni RICCUCCI clarinet . Paolo CARLINI bassoon - Paolo FAGGI horn
Ricorrenze - Works for Wind Instruments
MATERIALI SONORI.
cd ,
€
|
MERTENS Wim
Struggle for Pleasure
MATERIALI SONORI / CREPUSCULE.
cd ,
€ 15,9
|
ENO Brian
Sonora Portraits 1
MATERIALI SONORI.
cd+bk ,
€ 16,9
|
|
 |
|
|
|
|
|
Alta Madera |
| World Latin Jazz: dalla tradizione della musica Cubana, al Brasile, l'Argentina e il Venezuela fino a raggiungere le sue origini ispaniche |
 |
|
|
Arlo Bigazzi |
| Producer and composer, sensitive to the most stimulating musical mixtures that are connected to experimentation. |
|
|
|
Arturo Stalteri |
| Multi-instrumentalist, pianist and composer from Rome. He aims to highlight the post-modern sensibility in 20th century music, and the concept of contemporary music as a meeting place between "serious" and "borderline" music. |
|
|
|
Embryo |
| Founded in 1969 by Christian Burchard. Exploring jazz-rock and improvisation, Embryo have a live energy that leads them to play where they like, in search of a pan-ethnic music, making the group pioneers of World Music. |
|
|
|
Enrico Fink |
The Florentine Fink, who has a degree in astrophysics, is a performer and researcher whose work concentrates on the recovery of traditional Jewish music.
The Lokshen project was born as a result of his meeting with the clarinet player, Amit Arieli. |
|
|
|
Giancarlo Cardini |
| Pianist and composer. Impeccable technique, great virtuosity, but above all an optical horizon (in art) that tends towards the infinitive. He writes chamber, symphony and incidental music. His interpretations of Cage, Satie and Feldman are masterly. |
|
|
|
Harmonia Ensemble
directed by Giampiero Bigazzi |
| The melody and rhythm of an Italian heritage woven from the exotic strands of Romanticism and contemporary sounds, touching on minimalism and jazz. Soloists are O. Odori, D. Puliti, A. Garosi and P. Corsi |
|
|
|
Harold Budd |
| Born in Los Angeles in 1936, Budd moves through dimensions of the world of introspection, exploring electronics, jazz, philosophies of existence and classicism. He is the first father of so called ambient music. |
|
|
|
Hector Zazou |
| Musician, composer, arranger and producer. Hector Zazou has always dedicated himself to contemporary electronic music, research into the music of the world and a global concept of making music |
|
|
|
Jon Hassell |
| Born in Memphis, with a degree in composition and trumpet. Passionate about connections between East and West, Hassell conjectures about a musical "Fourth World", uniting the instinct of the Third World with the reason of the First. |
|
|
|
Koçani Orkestar |
| Koçani, one of Macedonia's finest Roman brass bands, called duvaçki orkestar, performs a dynamic and driving ensemble sound for traditional and contemporary music in Macedonia |
|
|
|
La Banda Improvvisa |
| 50 musicians (flute, clarinet, trumpet, trombone: from 14 to 74 years) conducted by Orio Odori, with guest soloists. A musical mix that doesn’t forget the popular Italian band tradition… |
|
|
|
Lucia Baldini |
| Lucia Baldini is part of the management team of Materiali Sonori. She works principally on photography and is involved in the design of record covers. |
|
|
|
Luis Rizzo |
| Argentinian guitarist and composer Luis Rizzo, along with Astor Piazzolla, Osvaldo Manzi and Juan José Mosalini, is to be considered one of the leading figures in the revival of traditional Argentinian music. |
|
|
|
Militia |
| Militia was born in Perugia in 1982 in the wake of the punk revolution and developed as an open ensemble in terms of methods and form. They are orientated towards avant-garde music and intolerant of traditional etiquette. |
|
|
|
Nicola Alesini |
| Saxophonist and composer. One of the most careful researchers into original sounds in Mediterranean music. He works in a area that crosses the borders separating sound, theatre, dance, poetry and the figurative arts. |
|
|
|
No-Man
Steven Wilson . Tim Bowness |
| Combining traditional values of songcraft and emotional commitment with an ongoing mission to play with the creative possibilities of the modern pop song. Their assured and audacious bridging of gaps between art-rock, ambient, jazz and classical music |
|
|
|
Paolo Carlini |
| With a diploma from the conservatory of Ferrara, he has an impressive
curriculum vitae, documenting his appearances as first bassoon with
important symphony orchestras. |
|
|
|
Paolo Lotti |
| "Alchemist of sound", researcher, borderline musician, uncontrollable
multi-instrumentalist - a composer who stands apart from the chorus. |
|
|
|
Percy Howard |
| Percy Howard is a multidimensional artist: singer-songwriter, producer, poet, writer and arranger, who unabashedly embraces the role of the romantic troubadour in a quest to craft intense, lyrical and vocally oriented songs. |
|
|
|
Pier Luigi Andreoni |
| Years of activity as a multi-instrumentalist, composer and scholar of synthesis and electronic composition have failed to placate his thirst for experimentation and exploration. |
|
|
|
Roedelius |
| Born in Berlin in 1934, co-founder of Cluster with Moebius and Brian Eno. A prolific pianist, he moves intimately from the electronic and experimental to other sounds tied to moments of chamber music and projected onto acoustic instruments. |
|
|
|
Roger Eno |
| Multi-instrumentalist, singer and composer, Roger Eno travels in a world that revolves around the concept of a "discreet music" that on occasions opens into dimensions that are even more eclectic and look towards neo-classical music. |
|
|
|
Stefano Cocco Cantini |
| A curious character: well known amongst musicians and enthusiasts, he chose not to pursue a “career”, maintaining his own personal ties to his land and people, living on “heart felt” concerts, collaborations and teaching. |
|
|
|
The Durutti Column |
| The soul of The Durutti Column is the guitarist and pianist, Vini Reilly. Delicate and ethereal, Reilly's style (often assisted by the percussionist, Bruce Mitchell) pursues the objective of an open music that includes rock, electric-folk and ambient. |
|
|
|
Wim Mertens |
| Flemish composer. With his "petit musique de chambre" and singable romances,
Mertens represents the most emotional side of European minimal research. |
|
|
|
|
|
